Academia bases reputation and standing on the number of published articles. As a result, the abilities and potential of researchers are also being judged by the number of articles they write, as well as on the impact factor of the journals in which their articles are being published. In itself this is not a problem, although one could of course question the assumption that the quantity of the output reflects the competence of individual researchers. As Altman has stated: “The length (...) of a list of publications is a dubious indicator of ability to do good research.”1 However, if senior faculty decide that the career progress of junior researchers in academia should be based on these criteria, academic medicine is bound to fail in fulfilling its role, namely maximising the quality of medical research and doing research for the right reasons. And to some extent it already has.1 …. (shrink)

To avoid the necessity of relying on trust in the matter of scientific authorship, most biomedical journals have adopted the uniform requirements for manuscripts submitted to biomedical journals, which are produced by the International Committee of Medical Journal Editors .1 The scientific journals that are members of the ICMJE routinely ask contributors to sign a statement that they accept full responsibility for the conduct of the study, had access to the data, and controlled the decision to publish. They even request (...) and publish information about the contributions of each person named as having participated.2,3 It turns out, however, that these requirements do …. (shrink)

Following the lead of Gustav Bergmann ( 1967 ), if not his precise terminology, ontologies are sometimes divided into those that are ‘relational’ and those that are ‘constituent’ (Wolterstorff 1970 ). Substance ontologies in the Aristotelian tradition are commonly thought of as being constituent ontologies, because they typically espouse the hylemorphic dualism of Aristotle ’s Metaphysics – a doctrine according to which an individual substance is always a combination of matter and form. But an alternative approach drawing more on the (...) fourfold ontological scheme of Aristotle’s Categories is not committed to this doctrine and may regard individual (or ‘primary’) substances as having no constituent structure, their only possible complexity residing in their possession, in some cases, of a multiplicity of substantial parts. However, as we shall see, this does not imply that such an ontology falls instead into the relational camp: for although it invokes, in addition to the category of individual substance, also those of substantial kind (‘secondary’ substance), attribute, and mode (or ‘individual accident’), it need not and arguably should not take there to be external relations between entities in the different categories. On this view, truths of exemplification and instantiation, such as ‘Dobbin is white’ and ‘Dobbin is a horse’, do not need relational truthmakers. Hence, it can be maintained that there are no such relations as ‘exemplification’ and ‘instantiation’, at most only certain relational truths of exemplification and instantiation – truths whose logical form is relational. Th is being so, I shall argue, such an ontology cannot fairly be classified as a ‘relational’ one. (shrink)

A prominent view holds that perception and memory are distinguished at least partly by their temporal orientation: Perception functions to represent the present, while memory functions to represent the past. Call this view perceptual presentism. This chapter critically examines perceptual presentism in light of contemporary perception science. I adduce evidence for three forms of perceptual sensitivity to the past: (i) shaping perception by past stimulus exposure, (ii) recruitment of mnemonic representations in perceptual processing, and (iii) perceptual representation of present objects (...) as possessing past properties. I argue that forms (i) and (ii) are consistent with perceptual presentism, while form (iii) poses a genuine threat to the view. While the empirical case for form (iii) remains inconclusive, I suggest that the most serious challenges to perceptual presentism derive from representations that integrate mnemonic and present-tensed elements in the performance of canonical perceptual functions, such as perceiving object continuity over time. (shrink)

It has long been debated whether objects are ‘sortally’ individuated. This paper begins by clarifying some of the key terms in play—in particular, ‘sortal’, ‘individuation’, and ‘object’. The term ‘individuation’ is taken to have both a cognitive and a metaphysical sense, in the former denoting the singling out of an object in thought and in the latter a determination relation between entities. ‘Sortalism’ is defined as the doctrine that only as falling under some specific sortal concept can an object be (...) successfully singled out in thought. It is argued that such a view is too strong, but that a weaker one, ‘categorialism’, can be defended, this implying that a thinker cannot successfully single out an object in thought without having at least an implicit grasp of the criterion of identity that the object satisfies. (shrink)

Christopher Hill's Perceptual experience is a must‐read for philosophers of mind and cognitive science. Here I consider Hill's representationalist account of spatial perception. I distinguish two theses defended in the book. The first is that perceptual experience does not represent the enduring, intrinsic properties of objects, such as intrinsic shape or size. The second is that perceptual experience does represent certain viewpoint‐dependent properties of objects—namely, Thouless properties. I argue that Hill's arguments do not establish the first thesis, and then I (...) raise questions about the Thouless‐property view and its role in Hill's defense of representationalism. (shrink)

The third book of Lucretius' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus' dictum that death does not matter, 'is nothing to us'. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean (...) definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years. (shrink)

This essay explores how economic theory and historical inquiry were brought together for one of the first times in modern political thought in Books II and III of Adam Smith's Wealth of Nations. It shows how the theory of capital found in Book II provides a perspective for thinking about historical development and political institutions that is in sharp contrast with the historical record traced out in Book III. Smith's solution to the problem of reconciling economic theory and history lies (...) in a complex understanding of the nature of rational economic behaviour and how it has been affected by uncertainty and institutional development in human history. Embedded in Smith's political economy is not only a new theory of economic life, but a new political understanding of the importance of history to contemporary political life. (shrink)

Investigations apropos of the passage in Ovid to which we shall ultimately come have revealed that one kind of Latin genitive at least is still far from satisfactorily charted by authorities more eminent even than M'Turk. This is the genitive of material. More often than not grammarians and commentators do not distinguish this usage from the genitive of definition. So for instance at Ovid, Met. 3. 315 the phrase lactis alimenta is identified by Bomer ad loc. and by H. J. (...) Roby, ii. § 1302) as genitive of definition. This is correct as far as it goes, in the sense that lactis defines the alimenta; but the definition is what they were made of, their material. So again at Met. I. III flumina iam lactis, iam ftumina nectaris ibant the rivers consisted of milk and nectar. This passage, however, was classified by J. N. Madvig, p. 249) under expressions involving number, measure or quantity. This is not unreasonable, but Madvig's examples illustrate the need for care in drawing the line. They include, for instance, aceruus frumenti and uini tres amphorae. Now a heap may be thought of as containing its constituents, but it also consists o/them, which is not true of a vessel and its contents. Thus, though there is some semantic justification for including both these expressions, as Madvig did, under the ‘measure or quantity’ rubric, they are nevertheless grammatically distinct. The fluidity of the borderlines in this area is evident also in flumina lactis, an undeniable genitive of material which is, however, clearly analogous to a not uncommon class of expressions such as riuus/fons aquae, lapidum imber, uolumina fumi, campus harenae, silicum uenae, ὔδατος ῥος, κρνη ὔδατος, ργρου πηγ, etc., in which the notion of quantity as well as composition is present. (shrink)

Femina in line 28 has nagged me subconsciously for years. I have now belatedly realized that it sabotages the poet's prudent disclaimer: it is not women in general who are in question, but only those not ruled out of bounds by stola and uittae. The repetition of the word in the following verse, where it means, as the opposition to uiri indicates, ‘the female sex’, only serves to underline its inappropriateness here. Cristante's defence of the anaphora, that it ‘ribadisce la (...) necessità dell'insegnamento, introducendone la giustificazione’, sets up an unwanted connection: lines 25–8 are strictly parenthetic to the main argument, as indeed is signalled by the truly functional anaphora of femina in line 29, whose effect is blurred in the text as transmitted. The form of the couplet, typical of Ovid, dictates that what is wanted is a variation on nil nisi lasciui, e.g. nec or, better, non proba. The source of the intrusive femina is not far to seek, though how precisely it ousted the original reading I do not pretend to guess. (shrink)

Heinrich Dörrie has demonstrated that the text of two long passages of Ovid's Heroides depends entirely on a single witness, the printed edition of the complete works published at Parma in 1477 by Stephanus Corallus. The passages in question are from the letters of Paris and Cydippe. In this paper I limit myself to a single question: whether these verses are by the same hand as the rest of the epistles of Paris and Cydippe. Since, however, I see no reason (...) to doubt that all the double epistles are by Ovid, this means in effect that I shall be asking whether the disputed passages are his. (shrink)

Apuleius' story of Cupid and Psyche, the relationship of the human Soul with divine Love, is one of the great allegories of world literature. It forms an integral part of and profoundly illuminates the message of his novel Metamorphoses or The Golden Ass, which relates the adventures of a young man and his spiritual fall and redemption. To enrich and deepen his basic plot, the origins of which are obscure, Apuleius has combined poetic sources, Platonic philosophy and popular iconography in (...) an unprecedented tour de force of literary creation. This edition sensitively elucidates the subtle art with which this transformation has been accomplished, and comprehensively illustrates both Apuleius' inventive handling of his various models and sources and the exuberant and idiosyncratic Latinity with forms the vehicle for it. It places in a fresh light the results of recent work on the ancient Novel and on Apuleius himself, and offers a stimulating, occasionally provocative, reading of his much-discussed text. The Latin is accompanied by a facing English translation, making the edition more accessible to students of comparative literature as well as to classicists. (shrink)

Of recent editors only Ehwald, I think, prints formosast rather than formosa est. This orthography is supported by that of the capital MSS of Virgil ; the inscriptions offer no consistent guidance. Here, however, the intentions of the writer himself are evident: Ovid must have written formosast to give three words to each season. He can be seen, as so often, improving on his model, here the Virgilian ‘mini-catalogues’ of the Eclogues, exploiting the couplet form to produce a completely symmetrical (...) effect. In his magisterial note on the orthography of prodelision at D.R.N. 1.993 Lachmann confined his remarks on the elegists to the last word of the pentameter, and his conclusion is asserted rather than argued. Here we have contemporary evidence that by Ovid at least the syncopated form was written as well as spoken. (shrink)

The Cambridge History of Classical Literature provides a comprehensive, critical survey of the literature of Greece and Rome from Homer till the Fall of Rome. This is the only modern work of this scope; it embodies the very considerable advances made by recent classical scholarship, and reflects too the increasing sophistication and vigour of critical work on ancient literature. The literature is presented throughout in the context of the culture and the social and hisotircal processes of which it is an (...) integral part. The overall aim is to offer an authoritative work of reference and appraisal for one of the world's greatest continuous literary traditions. The work is divided into two volumes, each with a similar and broadly chronological structure. Among the special features are important introductory chapters by the General Editors on 'Books and Readers', discussing the conditions under which literature was written and read in antiquity. There are also extensive Appendices or Authors and Works giving detailed factual information in a convenient form. Technical annotation is otherwise kept to a minimum, and all quotations in foreign languages are translated. (shrink)

In the two centuries covered by this volume, from about AD 250 to 450, the Roman Empire suffered a period of chaos followed by drastic administrative and military reorganization. Simultaneously Christianity emerged as a new religious force, to be first recognized by Constantine and then eventually to become the official religion of the Roman state. The old pagan culture continued to provide the basis for education and the staple literary diet of the leisured classes; but it now had perforce to (...) coexist and indeed to compete with a new, specifically Christian-oriented literature. These and associated developments are reflected in the Latin books of the period. Of the traditional forms and genres, some atrophied, some were transformed and invigorated; and yet others, such as autobiography in something like the modern sense, emerged in response to the pressures of the times. Professor Browning's masterly and comprehensive survey is mostly concerned with pagan literature, but takes into account Christian texts written in classical forms and directed at classically educated readers. The volume ends with a chapter on Apuleius by Professor Walsh, followed by a brief Epilogue from the same hand, sketching the part played by classical studies in the formation of the Latin literature of the Middle Ages. (shrink)

'Perfection is finality; finality is death'. The poets and prose writers of the first and early second centuries AD were not deterred by the towering stature of their Augustan predecessors from attempting new and often brilliant variations on the now traditional themes and genres. The so-called 'Silver' Age of Latin literature has tended to be characterized in terms of dismissive or question- begging stereotypes - 'decadent', 'rhetorical', 'baroque', 'mannerist' - as a substitute for close critical argument. From the sympathetic but (...) searching appraisals in this volume the best writers of the age - Lucan, Seneca, Statius, Juvenal, Tacitus - emerge as men having something important to say and not merely technicians preoccupied with the most extravagant or paradoxical way of saying it. Complementary to these central figures as giving the age its special character and atmosphere are the minor poets, the satirists, the scholars and rhetoricians, the lesser historians, epistolographers and technical writers, whose varied activity provides the background to the main developments. The whole offers a detailed portrait of the literary interests of an age that was of necessity becoming increasingly more conscious of the past and of the problems of coping with its cultural heritage. (shrink)